Criticism

My aspiration to be a critic took seed early on: as a teenager, I wrote movie reviews for my high school paper and launched my Front Row Seat column, which continues to this day in the Duluth News Tribune. Today, I write criticism covering a wide range of media. I’m an alumnus of the National Critics Institute, and a member of the National Book Critics Circle as well as the Minnesota Film Critics Association.

In July 2023, I was pleased to have my criticism honored with a first place Page One award from the Minnesota Pro chapter of the Society of Professional Journalists.

Theater

Books

  • Max Boot’s Reagan sees legendary legacy (The Tangential, October 30, 2024). “If Reagan’s triumph as President was to act the part superbly, Boot argues, the ways in which he let Americans down are related to his shortcomings as an actor.”
  • Twin Ports Trains traces tracks of local history (Duluth News Tribune, July 18, 2024). “The book quotes architectural historian Charles Nelson describing the crossed-gable station as an example of I. Vernon Hill’s ‘highly aggressive and personal’ turn-of-the-century style. Kind of makes you look at the building a little differently, doesn’t it?”
  • Of Dice and Men updated for D&D’s 50th anniversary (The Tangential, March 19, 2024). “The book’s title is all too apt for a game that sold to a very predominantly male audience for much of its history.”

Movies

Music

Television

  • The Acolyte opens new era in Star Wars storytelling (Duluth News Tribune, June 4, 2024). “The fact that there are no Skywalkers, Palpatines, or Fetts running around frees the show from the kind of fan-service Easter egging that freighted The Book of Boba Fett.”
  • Star Wars: Tales of the Empire will delight dedicated fans (The Tangential, May 2, 2024). “While the episodes are short, the fast-paced Star Wars aesthetic leaves plenty of room for epic sweep alongside detailed storytelling.”
  • Holding onto the cracks in Foundation (The Tangential, July 14, 2023). “Only a few minutes into the season premiere, Lee Pace is fighting for his life in a fully nude scene that would be awkward enough if it hadn’t already been shown up by Jennifer Lawrence — who didn’t, unlike Pace as Brother Day, have her naughty bits hidden by careful camerawork.”

Visual art

Dance

Food